Dario Castello (?1590-?1638)
Sonata terza
Sonata decima settima, in ecco

Claudio Monteverdi (1567-1643)
Exulta, filia Sion

Biagio Marini (1594-1663)
Canzon prima, pour 4 violons et cornets
Sonate pour orgue, violon et cornet
Caprice pour 2 violons
Sonata senza cadenza

Heinrich Schütz (1585-1672)
Paratum cor meum
Exultavit cor meum

Alessandro Grandi (1586-1630)
Regina caeli
Salva me, salutaris Hostia

Martino Pesenti (?1600-?1648)
Corrente detta La Granda
Corrente detta La Priula

Orazio Tarditi (1602-1677)
Plaudite, cantate

Giovanni Carrone (17ème siècle)
Congratulamini mihi

Ignazio Donati (?1570-1638)
Maria Virgo

Bendetto Rè (?1607-1629)
Lilia convallium

The Gonzaga Band

Faye Newton, soprano
Helen Roberts, cornet
Oliver Webber, violon
Theresa Caudle, violon, cornet
Steven Devine, orgue, clavecin
Jamie Savan, cornet, direction

1629 was a remarkable year for new music in Venice. Heinrich Schütz, came to the city to learn of the latest music from Claudio Monteverdi and his contemporaries, publishing the seminal first volume of his Symphoniae Sacrae during his visit. With the publication of further landmark collections from Dario Castello, Alessandro Grandi and Biagio Marini, this particular year provided a key moment in the development of the Italian Baroque style. Acclaimed period ensemble The Gonzaga Band makes its Resonus debut with a fascinating programme of works from this period that chart the journey through this incredible year for music.